FIOCCO 0351 - LUSSO

Composition: 80% CO – 10% CMD – 10% PL

Martindale: > 50.000

Pilling: --

FABRIC WIDTH: 140 cm

MAINTENANCE:

Pietra Grey Lucido

Composition: Materiale a pasta compatta, dura non porosa ottenuto tramite processo di sinterizzazione di materie prime che vengono atomizzate fino a raggiungere la pressatura desiderata.

ASPECT: Lucido.

Tipology: Materiale composito di origine complessa.

TECHNICAL CHARATERISTICS: Resistenza, ridotta capacità di assorbimento di acqua, durevolezza.

ISCHIA - 18 - LUSSO

Composition: 50% PC – 23% LI – 19% CO – 8% NY

AVERAGE LIGHT FASTNESS: 4 / 5

Martindale: > 40000

Pilling: 3 / 4

FABRIC WIDTH: 140 cm

MAINTENANCE:

Cuoio col. 24

TANNING: Al cromo

THICKNESS: 1,1 – 1,5 cm

ORIGIN: Tori Europei

ASPECT: Liscio

Color Nero Sablè

Composition: Verniciatura a polvere a base di resine sintetiche con texture leggermente in rilievo.

Tipology: Metallo verniciato.

TECHNICAL CHARATERISTICS: Finitura resistente a screpolature e scolorimento.

Ottone Satinato

Composition: Lega metallica a base di rame e zinco a cui vengono aggiunti altri elementi per aumentare le proprietà meccaniche.

Tipology: Lega metallica.

TECHNICAL CHARATERISTICS: Durevolezza, tenacità, resistenza alla compressione e colore “giallo”.

Thin dark lines | 6

A thin dark precious line, rich and mysterious for a refined word yet overwhelming, by evoking strong emotions. A tonality needed to grant deepness and contrast. The dark colours play on contrasts and at the same time they integrated into the surrounding space. The dark tonalities have strong personality, by giving a sophisticated and essential look, by enveloping and by giving deepness, thus enhancing the furniture and its complements. The dark shades of the “Thin dark lines” moodboards’ are added to an environment to create an elegant and contemporary style, where metal details and sofas covered in fabric or leather would not be missed. It is possible to change completely a room by changing colour with a defined and strong style, with courageous yet always successful choices.

THIN DARK LINES | 6 - setting
Ainda
Kevin Tavolino
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